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ART AND ANATOMY
Man is an imitative animal and it is worth while to hold up to him good examples. For this reason anatomists and physiologists have been disturbed by much of the work of artists. Many artists proudly tell us that they are not attempting to depict nature. This is all right by us. We are not disturbed when Epstein sculptures a man or woman who would make a gorilla look by comparison like a fairy prince. We looked with equanimity a generation back on a collection of straight lines, triangles and rectangles called ?Nude Descending a Staircase?.
Many artists who were supposed to be depicting normal human beings have shown a fondness for distorted nature. A few summers ago I was privileged to see again some of the paintings of Peter Paul Rubens. His characters usually have their clothes off so that it is possible for a physician easily to estimate what life insurance companies feel is important, the relation of their weight to their height. They are grossly obese. None of them could get life insurance. It seems certain that many of them are doomed to diabetes, fatty degeneration of the heart, or other “morbid” conditions associated with overweight.
In the eighteenth century men were likely to be shown as short, squatty, round shouldered, potbellied and spindle shanked; some even appeared to be hunchbacked. Tuberculosis of the spine was at that time first described by Percival Potts so it undoubtedly was common and influenced the artists. Except in the times of the Greeks, artists have always been fond of orthopedic abnormalities. I was looking at an old illustrated Bible today. Many of the great religious characters had their feet turned out in extremely deformed positions. Take the head ? the old masters showed their children as microcephalic (that means with minute heads). Such children, if the condition is really extreme, are usually idiots.
And now we come down to the commercial “art” of the present day. To be a dress model, a girl evidently has to be round shouldered, constricting her chest so that she cannot breathe well. Her belly sticks out so that again she can’t do any good abdominal breathing. Her feet are turned out so that she could not think of moving with ease and grace and this accentuates her knock knees. Strangely enough the young men are good physical specimens.
*13/276/5*